A studio small enough that every frame and every line of code is somebody’s deliberate decision — and growing, carefully, from there.
Owen leads the art: concept, character, environment, and the visual language that makes a world feel like one place. He draws first and always — the worlds begin on his desk in Savannah before they’re anything a machine can render.
If it has a look, he authored it. The tools exist to keep up with him, not the other way around.
Richard builds the machinery: the studio’s graphics engines and its locally-run AI toolchain. A career spent close to the hard parts of software — performance, systems, the unglamorous plumbing that makes everything else possible — now pointed at a single question: how do you give an artist more reach without taking the pen out of their hand?
Every tool the studio runs, he wrote. Every one of them runs on our own machines, on purpose.
Some worlds need more than two pairs of hands. We partner with trusted collaborators — per project, credited by name in the work — across the crafts a story asks for.
Screenwriters, comic scripters, and worldbuilders who help our stories hold together across game, film, and page.
2D and hand-drawn animators who make painted frames breathe — the discipline our shorts and series lean on hardest.
The musicians and sound designers who give each world its voice. A picture only half-arrives without them.
We’re a small studio with big worlds to build. If you work by hand and love good tools, we’d like to meet you.